#Jiro Takamatsu
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TAKAMATSU Jiro,1936 - 1998
Rubbing No.966
1973
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Jiro Takamatsu
- Perspective Marathon
1967
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Jiro Takamatsu (1936-1998) [Japan] ~ ‘Oneness of paper’, 1973. Paper (30 x 47.5 cm).
#art#contemporary art#art hunt streak week#Jiro Takamatsu#expressionism#monochrome#collage#conceptual art#abstract art
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Jiro Takamatsu Double Shadow of a Baby 1969-1997 acrylic on canvas 85-7/8" × 9' 6" (218.1 cm × 289.6 cm)
at PACE Gallery
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Jiro Takamatsu: Wave (1968)
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Jiro Takamatsu /Japanese, 1936–1998/ was a founding member of the Hi Red Center collective alongside Genpei Akasegawa and Natsuyuki Nakanishi in 1963, and a key figure in the development of the Mono-Ha movement (the “school of things” associated with Lee Ufan). His most celebrated works were the “Shadow Paintings”, begun 1964...
info: a short story of 1970s.
Takamatsu Jiro, Sixteen Onenesses, 1970
#jiro takamatsu#installation#takamatsu jiro#japanese art#art#mono ha#jirō takamatsu#japanese artinfo
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Shades of Greige
Garth Weiser - Thunder and Light
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Jiro Takamatsu
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Lyonel Feininger - The Tower
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Cy Twombly - Letter of Resignation
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Herbert Zangs
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Robert Rauschenberg - Untitled
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Luciano Caggianello - Conceptual Shroud
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Dan Walsh - Grid Book
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Janet Jones
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Mirko Baricchi
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Ellsworth Kelly - Open Window, Hotel de Bourgogne, 1949
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Joel Shapiro - Untitled, 1977
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Julije Knifer
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Kitty Kantilla - Jilamara #2
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Katsushika Hokusai - The Big Wave
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Elaine de Kooning
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Watanabe Shōtei - Three Birds on Branch, ca. 1887
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Louise Narbo
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Richard Diebenkorn - Untitled
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Wilhelmina Barns-Graham - Seven Lines No. 2
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Paul Klee - In Angel’s Care, 1931
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Nasreen Mohamed
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Sunday: primarily color
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Jiro Takamatsu
Space in Two Dimensions, 1970
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Jiro Takamatsu
- Perspective
1967
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Jiro Takamatsu (1936-1998) [Japan] ~ ‘Untitled’, 1988. Metal, wood and stone (59 x 38 x 25 cm).
#art#contemporary art#art hunt streak week#Jiro Takamatsu#conceptual art#minimal art#sculpture#abstract art#wood
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Canned Mystery by Hi Red Center (Genpei Akasegawa, Natsuyuki Nakanishi, Jiro Takamatsu) 1964
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Anne Collier
Anne Collier is an American visual artist working with appropriated photographic images. I found her work through the 'Visualising Time Seminar' with Paul Tarpey.
At first, I didnt like Collier's work at all. I had only seen her pop art and face photographs and i didnt think much of them. I thought they were boring and I still think the pop art is ugly. I like the colours but I've realised after the fact that I just hate the style of pop art. I think it's because I I like more delicate images.
In the seminar, she was quoted to have said, "Conceptual works also function as a type of self portrait." I think this is something I could explore in my project.
I looked at her photography work from the series 'Woman with a Camera' and I adore the nostalgic feminine tint the photographs have. Some of them are very 70s.
She was inspired by Jiro Takamatsu's early 1970s series 'Photograph of a Photograph'.
Through researching Anne Collier, I found the photographer Lew Thomas and I'd like to look at more of his work.
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